A Planetary Order (Terrestrial Cloud Globe)

UCL Environment Institute, 2009

A Planetary Order (Terrestrial Cloud Globe), University College London

University College London, 2009

A Planetary Order (Terrestrial Cloud Globe), ISEA2010 RUHR Exhibition, Dortmund, Germany

ISEA Ruhr, Museum für Kunst und Kulturgeschichte, Dortmund, 2010

A Planetary Order (Terrestrial Cloud Globe), ISEA2010 RUHR Exhibition, Dortmund, Germany

ISEA Ruhr, Museum für Kunst und Kulturgeschichte, Dortmund, 2010

A Planetary Order (Terrestrial Cloud Globe), Serendipity City, FutureEverything 2010, Manchester, UK

FutureEverything, Manchester, 2010

A Planetary Order (Terrestrial Cloud Globe), The Present is a Point Just Passed, June - July 2012, Stephen Lawrence Gallery, Greenwich, London

Stephen Lawrence Gallery, Greenwich, 2012

A Planetary Order (Terrestrial Cloud Globe), Mapping Spaces, ZKM Karlsulhe

Mapping Spaces, ZKM Karlsruhe, 2014

A Planetary Order is a terrestrial globe showing clouds from one single moment in time, thereby subtly highlighting the fragility and interdependence of the Earth’s environmental systems.

Showing the earth’s cloud cover from one second in time, the shimmering white cloud globe freeze-frames the entire operation of the global atmospheric regime, and highlights how fragile the environmental (and informational) systems are that operate across the world. For the globe is created from raw information, being a physical visualization of real-time scientific data. One second’s worth of readings from all six cloud-monitoring satellites that are currently overseen by NASA and the European Space Agency was transformed into the delicate outlines and profiles of the clouds emerging across the surface of the sphere.

Unlike most of NASA’s own data visualizations, the globe features no added colour, only the sculpted whiteness of the raw material that throws a maze of faint shadows across the structure. From out of these shadows, in the right angles of light, emerge the global cloud patterns taken on 2 February 2009 at 0600 UTC precisely, and, under them, the implied outlines of the continents below, seen as though glimpsed through mist, or rather, through the mystifying quantity of atmospheric data that is currently being collected from the silent fleet of satellites in orbit some 36,000 kilometres out in space — an increasingly hertzian environment, where an electronic Babel of satellites, radio signals, and security frequencies vibrate with an invisible stream of man-made weather.Though far from earth’s surface, we have nevertheless made it back to something resembling Borges’s 1:1 scale Map of the Empire, for, by taking a single second’s worth of transmitted information, our entire world has been made anew, pristine, white, and wreathed in the haze of an artificial atmosphere, held aloft like the fossilized egg of a long-extinct species that is about to be brought back to life from a single rescued strand of DNA.

The artwork was created at UCL Environment Institute while Artist in Residence (2008-09). During the same residency Richard Hamblyn and Martin John Callanan co-authored the book Data Soliloquies about the cultural fluidity of scientific data.

A Planetary Order ist ein Erdglobus, der die Bewölkung des Planeten in einem einzigen Zeitmoment festhält, nämlich exakt um 0600 UTC am 2. Februar 2009. Es handelt sich um eine physikalische Visualisierung von wissenschaftlichen Echtzeit-Daten. Der schimmernde weiße Globus friert den gesamten Ablauf des atmosphärischen Regimes im Moment einer Sekunde ein und stellt auf subtile Weise heraus, wie fragil das Umwelt- (und Informations-) system ist.

With thanks to
Richard Hamblyn, Professor Mark Maslin and Marrianne Knight, UCL Environment Institute; Chris Cornish and Tom Lomax at the Slade Centre for Material Research, UCL; Martin Watmough and Gregor Anderson, Digital Manufacturing Centre, The Bartlett, Faculty of the Built Environment, UCL; Slade Centre for Electonic Media in Fine Art; Dr Andy Hudson-Smith, Maurizio Gibin and Alex Singleton at UCL Centre for Advanced Spatial Analysis; Neil Lonie, The University of Dundee; The European Space Agency R&D Section; European Organisation for the Exploitation of Meteorological Satellites; Barry Gromett, The Met Office; Dan Pisut, National Oceanic and Atmospheric Administration; Mesoscale Dynamics and Modelling Group, Goddard Space Flight Center, NASA.

The same data was used to draw a series of large scale drawings


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